Iseult McCormack on Colour, Mark-Making and Authentic Connection
Colour, texture and bold mark-making become a way of trusting the unknown, giving shape to instinct while carrying connection outward through each new layer.
Elisabeth Neveux: Defending the Wonderful Art of Linocut
Through linocut, folklore and a traditional process, Elisabeth Neveux defends the human journey of making, where every mistake, mark and story carries its own weight.
Ciara Darcy on Beading, Powerful Fashion and Feminist History
In beads, fabric and carefully held detail, Ciara Darcy turns fashion into a record of labour, memory and feminist history, where small objects carry serious weight.
Clann Miotlantach / Mythlantics, Alice Rekab and the Future It Opens
Tracing identity through objects, inheritance, and the quiet movement of the Atlantic Ocean as a space of connection and shared histories
Kerrie Hanna – Carrying the Land Through Authentic Material and Light
Ancient pigment and endangered craft meet feminist reclamation and community authorship in a practice rooted in land and light
Anne Harper – The Magic Stories That Still Live in the Land
From ancient hills in County Down to evolving musical practice, uncovering the quiet connections that link mythology, place, and lived experience
Frances Magee – Preserving Ireland’s Natural World in Cyanotype Magic
In her North Belfast garden, Frances Magee transforms carefully tended plants into luminous cyanotypes – where texture, imperfection and light combine in work that feels timeless.
From Donegal to Belfast – Katriona Sweeney’s Authentic Irish Design
Where Irish memory, bold typography, and hand-painted craft converge – from Donegal buses and rush crosses to Belfast walls and wearable design.
Fight Like a Girl: Ana Fish on Safer Spaces & Murals
Tracing a life shaped by movement, myth, and community – using street art to reclaim space, tell shared stories, and make the everyday world feel safer, softer, and more alive.
Inni-K on Still A Day: Genuine Irish Songwriting
In the aftermath of touring Still A Day, the singer, composer, and multi-instrumentalist considers music, nature, and what remains once the movement stops.