Greta Baltic: A Powerful Exploration of Lithuanian Identity Through Photography

Lithuanian-born visual artist Greta Baltic uses photography, folklore and collaboration to explore life between cultures – while creating spaces in which other artists can be seen.

Martina O’Connor: Transforming Everyday Memories into Vibrant Art

Martina uses vibrant colour and expressive palette-knife work to preserve treasured memories, familiar objects and the everyday places that have shaped her life.

Iseult McCormack on Colour, Mark-Making and Authentic Connection

Colour, texture and bold mark-making become a way of trusting the unknown, giving shape to instinct while carrying connection outward through each new layer.

Elisabeth Neveux: Defending the Wonderful Art of Linocut

Through linocut, folklore and a traditional process, Elisabeth Neveux defends the human journey of making, where every mistake, mark and story carries its own weight.

Hearthfire Tales: Amazing Fantasy, Friendship and Finding Your Tribe

Around the table and out in the field, Hearthfire opens fantasy into something deeply human, helping people find confidence, community and a place to belong.

Ciara Darcy on Beading, Powerful Fashion and Feminist History

In beads, fabric and carefully held detail, Ciara Darcy turns fashion into a record of labour, memory and feminist history, where small objects carry serious weight.

Barry Keegan: Visual Communication, Clay Media & Imagination

From Aardman influences to ancient memory systems, a practice that shapes clay, doodles, and character into bold forms of visual communication

Joshua Burnside – Inside It’s Not Going to Be Okay

From the layered textures of Teeth of Time to a more exposed and intimate sound in It’s Not Going to be Okay, Burnside enters a new phase of his work

Clann Miotlantach / Mythlantics, Alice Rekab and the Future It Opens

Tracing identity through objects, inheritance, and the quiet movement of the Atlantic Ocean as a space of connection and shared histories

Kerrie Hanna – Carrying the Land Through Authentic Material and Light

Ancient pigment and endangered craft meet feminist reclamation and community authorship in a practice rooted in land and light